I suppose in retrospective that saying that Celine and Jesse
would meet again but not under the promised pretenses would have been a safe
bet to make in my reflection for Before
Sunrise but I guess we can all be half right in our respective assumptions
on whether or not we thought they would meet in the promised 6 month time span.
I have to say off the cuff that I did rather enjoy the film, and while the ending
was not what I would consider ideal or realistic in any stretch of the
imagination we have to carefully remember that the story between the two lovers
in nowhere near ideal or realistic, nor are the lovers themselves. If Jesse and
Celine had to be grouped into a particular relationship archetype I would see
them as the ones that almost got away, not quite the fated couple or the star
crossed lovers but rather old flames that never died out fully. While in Before
Sunrise Jesse was seen as the bright eyed young adventurer and Celine the
beautiful yet bored damsel in distress of her own making, the characters didn’t
progress much in terms of moving beyond those roles in the sequel. Instead they
are both seen as slightly older versions of themselves yet Jesse is still gallivanting
across the globe, only this time as a successful writer, and Celine is still
making her normal life miserable for herself despite her apparent success. Celine is seen as having fallen into a sort
of dormant romantic state, a strange mid ground between being in love and
wanting to be loved; instead she wants to feel love on her end. To me Celine is
facing the rare predicament of being the beloved, placed so high on the pedestal
that she is isolated from experiencing the feelings that other have for her.
She experiences an absence of feeling because being with Jesse for that short albeit
intense 24 hour time span has effectively raised her threshold for what she
sees as the ultimate high of love to the point where no one else can stimulate
her feelings. However can the feelings that exist between the two really be
referred to as love, perhaps it drifts dangerously close to the desire side of
the boarder. In the café scene of the film where the two discuss desire I found
it oddly reminiscent of the famous telephone scene at the restaurant in the
first film, Jesse openly address what it’s like to be freed from your desires
but Celine steadfastly counters that desire is a necessity for life most likely
due to their predicament where Jesse has spent the last 9 years trying to let
this girl go and she has spent the past 9 years being resentful about letting him
slip through her fingers.
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